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In a society where every facet of our lives is subject to advertising and propaganda, manipulating our every move, I decided to make my own propaganda to inspire people, especially black people, to be proud of themselves and their culture. And, I wanted the viewers to feel my intentions on a visceral level. And at 26, I was finally ready to make it happen via funding from 3Arts and support from my community.Īnd what did you choose to do with that opportunity? My hope was to make images that would bring black women face to face with the profound beauty they all posses inside and outside.
#Solange dont touch my hair message series
Ever since I was 12 years old, I wanted to create a photo series of avant-garde braid styles. in February.Īre you an artist? A hairstylist? How would you classify your talents? I’m an interdisciplinary artist, and I’ve always done hair, but I didn’t consider braiding to be a part of my artistic practice, largely due to other people undervaluing and underappreciating it. Select works from the original exhibition will be shown at The Black Love Experience in D.C. Five of the ten images were reproduced on vinyl this summer for MoCADA Museum’s window gallery, where they lived until last week. Here, the Chicago-based hairstylist explains the technique behind her wearable art, her inspiration behind her exhibition Braids–which she styled and shot– and why she hopes to break the mold of what beauty should look like.Ĭongratulations! You have a major exhibition Braids that’s making its way around the country, can you tell us about it? The original Braids exhibition was shown at three locations in Chicago.
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The 27-year-old-who has been braiding hair for clients for 16 years-spent approximately 50 hours working on the halo Solo wore.
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Shortly thereafter she was on a call with legendary hair slayer Chuck Amos (who did the looks for Solange’s “Don’t Touch My Hair”) to get the specifics of the look. Shani Crowe was attending her 5-year homecoming at Howard University (where she studied film and video production) when she received a message inquiring if she would be able to create some headpieces for Solange Knowles for her performance on Saturday Night Live.